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Amazon.com Review In Tintin in the Congo, one of his earliest adventures, our intrepid reporter hunts down both criminals and wild game. The story was written in 1930 and first appeared in book form in 1931, and some of the parts are so dated that for years the book was unavailable in English. This edition reprints on black-and-white newsprint the original 1931 version. In one scene, Tintin tells a group of African children "Today, I'm going to talk to you about your country: Belgium!" When the story was (but not translated into English) in 1946, this became a simple lesson in addition. In addition to the colonial attitude, the Africans are portrayed as primitive, simple-minded folk ("He doesn't look very bright," Snowy opines about their guide), and Tintin reveals a brutal side by slaughtering half the wildlife on the continent (including blowing up a rhinoceros with dynamite!) and declaring while pursuing an enemy, "Sure as my name's Tintin, I'll get rid of him once and for all." Herge himself was embarrassed by much of Tintin in the Congo, and it's not a part of the regular canon, but fans who can accept it as a product of its time will enjoy seeing their hero in one more adventure, one that provides a jumping-off point for the much-better-known . --David Horiuchi About the Author Hergé, one of the most famous Belgians in the world, was a comics writer and artist. The internationally successful Adventures of Tintin are his most well-known and beloved works. They have been translated into 38 different languages and have inspired such legends as Andy Warhol and Roy Lichtenstein. He wrote and illustrated for The Adventures of Tintin until his death in 1983. --This text refers to the edition.

About the Author Rene Goscinny was born in Paris in 1926, and spent most of his childhood in Argentina, before eventually moving to Paris in 1951. He died in 1977. Albert Uderzo was born in 1927 in a small village in Marne, France. He met Rene Goscinny in 1951 and on 29 October 1959 their most famous creation, Asterix, made his first appearance on page 20 of Pilote. Asterix the Gaul, their first album, was published in 1961 and there have now been 33 Asterix albums.

From Publishers Weekly Far removed from the satirical reimagining some might expect from the father of underground comix, Crumb's long-awaited take on the first book of the Bible presents the artist's own sensitive, visually intense reflections. Where most visual adaptations edit down their prose sources, Crumb has, strikingly, included every word of the Book of Genesis within his first major book-length work. His humanistic visual response to this religious text imbues even briefly mentioned biblical characters with unique faces and attitudes, and his renderings of the book's more storied personalities draw out momentous emotions inspired by the book's inherent drama. Throughout, Genesis is a virtual portfolio of Crumb's career-long effort to instill fluid cartoon drawing with carefully rendered lifelike detail. Some might miss Crumb's full stylistic and tonal range, but the source's narrative sweep includes moments of sex and scandal that recall the artist's more notorious comics. Indeed, this monumental visual adaptation's basic strategy may subvert simply by demanding a reconsideration of its source, one that continues to motivate the complex cultural struggles that have, for decades, preoccupied this master cartoonist's landmark work. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Review “Starred Review. Crumb’s vivid visual characterizations of the myriad characters, pious and wicked, make the most striking impression. His distinctive, highly rendered drawing style imparts a physicality that few other illustrated versions of this often retold chronicle have possessed. The centenarian elders show every one of their years, and the women, from Eve to Rachel, are as solidly sensual as any others Crumb has so famously drawn.” (Booklist ) “Crumb achieves a miracle all his own: he makes one of the world's oldest stories new again.” (Newsweek ) “[A] beautifully drawn and relentlessly faithful rendition of the first 50 chapters of the Bible by an apostle of the 1960s and sometimes profane progenitor of underground comics. Crumb has produced what could be the ultimate graphic novel.” (David Colton - USA Today ) “It’s a cartoonist’s equivalent of the Sistine Chapel. It’s awesome. Crumb has done a real artist’s turn here—he’s challenged himself and defied all expectation. ... I’ve read Genesis before. But never have I found it so compelling. By placing it squarely in the Middle East—and populating it with distinctively Semitic-looking people—Crumb makes it come alive brilliantly.” (Susan Jane Gilman - Morning Edition, NPR ) “From the Creation to the death of Joseph, here is the Book of Genesis, revealingly illustrated as never before. This eagerly awaited graphic work retells the first book of the Bible in a profoundly honest way....The result, four years in the making, is a tapestry of extraordinary detail, the finest work of Crumb’s legendary career.” (Graphic Novel Reporter ) “To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement.... stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.” (Paul Buhle - The Jewish Daily Forward )

Review 'Copyright, Contracts, Creators provides a new and original analysis on the relationship between owners and creators and recommendations for legislative change to re-balance the relationship. It is a must read for the intellectual property legal community and anyone interested in the promotion of creative works.' - Marshall Rothstein, Justice of the Supreme Court of Canada 'Dr Giuseppina D'Agostino is a protector of the arts, and her work on intellectual property is designed not only to bring law and order to our digital universe but to bring hope to the artists, poets and writers whose only hope of pursuing their artistry is to earn income for their craft. A wonderful book by one of the most wonderful and forward thinking minds in this subject area.' - Tony Chapman, Founder and CEO, Capital C, Canada 'Dr D'Agostino has produced an important, carefully documented and courageous study that deserves to be widely read and discussed and (dare one say?) even to have its message heeded.' - David Vayer, Emeritus Professor of Intellectual Property & IT Law, University of Oxford, UK

From Publishers Weekly Though he won the World Fantasy Award for Short Fiction in 1991, Gaiman is best known as the writer who transformed the WWII-era DC Comics character the Sandman from a Batman-style detective/vigilante into the much darker Morpheus, aka Dream, the being who presides over the realm of Dreaming. One of seven siblings who represent various states of consciousness?Destiny, Death, Destruction, Desire, Despair, Dream and Delirium?Morpheus is head of the allegorical family called the Endless. Here, popular fantasy writers expand upon Gaiman's original concepts, with mixed results. Colin Greenland's bittersweet "Masquerade and High Water" and Barbara Hambly's "Each Damp Thing" provide insights into the backstage workings of the Endless. Tad Williams's "The Writer's Child" is a finely crafted story about loyalty and the value of innocence. Weak spots include George Alec Effinger's resurrection of a saccharine Little Nemo for "Seven Nights in Slumberland," Lisa Goldstein's bland "Stronger Than Desire" and B.W. Clough's vignette "The Birth Day." Susanna Clarke's "Stopp't-Clock Yard" and a lyrical meditation on Death by songwriter Tori Amos close the anthology on a strong note; a b&w drawing by Clive Barker opens it on a garish one. Though perhaps most interesting as an example of media-crossover, this collection presents some powerful writing about, and memorable images of, the other reality wherein we while away a third of our lives. Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From Library Journal This anthology features stories about The Sandman, DC Comics' best-selling adult graphic novel by Neil Gaiman. Clive Barker wrote the frontispiece (not seen), and singer Tori Amos contributed the afterword. The 18 mainstream writers expand and elaborate the Sandman mythos. Readers don't need a familiarity with the Sandman comic to appreciate these stories. Recommended for short story collections.Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review "- Vivid... compelling... beautifully rendered... excellent' - New York Times Book Review - 'Two of the most memorable police detectives to appear in mystery fiction' - Ed McBain - 'A stylish gift for language... tender and believable... the characters come alive' - Washington Post Book World --This text refers to an out of print or unavailable edition of this title. About the Author Michael Malone is the literate and compassionate voice of the new American South. Critically acclaimed as one of the country's finest writers, his great gift for crafting remarkable and enduring comedies, as he did in Handling Sin, Dingley Falls and Foolscap, is matched only by his ability to deliver riveting suspense and mystery. Now, after a long absence, Michael Malone has returned to the scene of the crime. He has also come home to the South. He now lives in Hillsborough, North Carolina, with his wife, Maureen Quilligan, chair of the English department at Duke University.

Review A delightful collection. -- Gannet News Service, 10 August 2000 A sophisicated smirk riot filled with jabs at the overly serious world of politics. -- Arizona Republic, 10 August 2000 About the Author Robert Mankoff is a "triple threat" in the cartooning world. He is cartoon editor of The New Yorker, founder and president of The Cartoon Bank, and a wonderful cartoonist. He is the editor of numerous New Yorker cartoon collections, most recently The New Yorker Book of Technology Cartoons, The New Yorker Book of Money Cartoons, and The New Yorker 75th Anniversary Cartoon Collection. He lives with his wife, children, and pets in the Hudson Valley.

Review [Lawrence] had that quality of genius which sucks out of ordinary experience essences strange or unknown to men. --Anaïs Nin Book Description D. H. Lawrence started 'The Sisters' in 1913, wrote four different versions and claimed to have discarded 'quite a thousand pages' before completing The Rainbow in 1915. Mark Kinkead-Weekes gives the composition history and collates the surviving states of the text to assess the damage done to Lawrence's great novel. --This text refers to an alternate edition.

From Publishers Weekly Originally published in French as Le Grand Foss (1980), the full-color graphic novel Asterix and the Great Divide by Albert Uderzo, trans. by Anthea Bell and Derek Hockbridge, returns to the days of the Gauls to document the attempts by the titular hero to unite a fractious town around the marriage of Histrionix and Melodrama, the son and daughter of rival leaders. The series also includes Asterix and the Black Gold (featuring the druid Getafix, the Phoenician merchant Ekonomikrisis and the Roman secret agent Dubbelosix) and Asterix and Son. (May) Copyright 2002 Reed Business Information, Inc. From Reviewed with Albert Uderzo's Asterix and Son and Asterix and the Black Gold. Gr. 4-8. The comic-book alternate history adventures of Asterix and his buddy Obelix, begun in France in 1961, has continued through 31 volumes. These books (from 1983, 1981, and 1980, respectively) are new to American publication, though they have been available in Britain. Each story is filled with broad physical humor and puns that work in English as well as in the original French, and virtually no indigenous or ethnic group escapes Uderzo's wit (at one point, the heroes are invited to bed down in a Bethlehem cowshed.). In Asterix and Son, Asterix and Obelix become guardians of a kidnapped baby who takes a potion and develops superhuman strength. In Black Gold, the heroes travel to Mesopotamia in search of more potion. In the Great Divide, competition between two village chieftains gives the Romans an opportunity to conquer. The cartoons are playfully round and brightly colored, and the architectural and martial details go beyond simple stereotypes. Asterix already has lots of fans; here are three new-to-America episodes that will please devotees as well as gather uninitiated readers with their mix of humor, history, and good storytelling. Francisca GoldsmithCopyright © American Library Association. All rights reserved

From Publishers Weekly Starred Review. Deadpan dialogue, drawings that move from panel to panel with the strange and deliberate force of kung fu performance art, and a subtle interweaving of humor and angst come together to make this a brief knockout of a book. Jason's cast of sober-faced dogs, rabbits, and birds interact with self-deprecating style, and the slight, absurd story, in which Sven masquerades as a werewolf and thus invites the attention of actual werewolves, holds it all loosely together. Meanwhile, Sven spends time with his neighbor, Audrey, as their relationship shifts and changes. In one scene, Audrey comforts him for his romantic loneliness. "Do women come from another planet?" she asks, rubbing his shoulders. "Yes, women come from another planet," he answers. The call and response dialogue escalates in humor while perfectly expressing the familiar tenderness between the two. Norwegian-born Jason is author of The Left Bank Gang and I Killed Adolf Hitler. His drawings and page design are genius in their simplicity and hold the attention like a Zen koan. The surface simplicity of a Jason story obscures how much is really here. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Review When I read Jason for the first time, I was just as excited and devastated as the first time I read the poems of Emily Dickinson and Walt Whitman. Jason’s work is poetry. (Sherman Alexie ) Starred Review. Deadpan dialogue, drawings that move from panel to panel with the strange and deliberate force of kung fu performance art, and a subtle interweaving of humor and angst come together to make this a brief knockout of a book. (Publishers Weekly ) What elevates Werewolves of Montpellier into the top rank of Jason’s work is the way he manages to dovetail the story’s genre elements with the emotional narrative. ... Overall, this is a pitch-perfect, expertly-crafted story by an artist who is clearly working in his comfort zone. (Rob Clough - The Comics Journal )